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Double bassist Leonid Finkelshteyn enjoys an active career as a performer and teacher. Currently principal bassist of the North Carolina Symphony, which he joined in 1996, and the Eastern Music Festival Orchestra in North Carolina, since 1999, Finkelshteyn also serves on the faculty of the University of North Carolina at Chapel Hill, North Carolina State University and the Eastern Music Festival in addition to maintaining a large private studio.

As a soloist, he has made numerous concerto appearances with the North Carolina Symphony, Young Artists Orchestra at the Eastern Music Festival, ECU Symphony Orchestra, Punta Gorda Symphony in Florida and the Peninsula Music Festival Orchestra in Wisconsin, including works by Bottesini, Bruch, Koussevitsky, and Tubin.

Finkelshteyn has also performed the North American premiere of Gareth Glyn’s Microncerto and the world premiere of J.Mark Scearce’s Antaeus, a Concerto for double bass and orchestra, which the North Carolina Symphony commissioned for Finkelshteyn. In 2018, Finkelshteyn performed a premiere of the Double Bass Concerto by Terry Mizesko, which was written and dedicated specifically for him.

Upon arriving in the U.S., Finkelshteyn attended the Aspen Music Festival where he won the E. Nakamichi Double Bass Competition, performing the Koussevitsky Concerto with the festival orchestra.

Other artistic pursuits have included tours with the Chicago Symphony Orchestra, the New York Philharmonic, and the Philharmonia Hungarica. In addition, Finkelshteyn has appeared with the symphonies of St. Louis, Cincinnati, and Dallas, and the Mostly Music festival as guest principal bassist.

He has also performed with the Lyric Opera of Chicago, the Milwaukee Symphony Orchestra, the Baltimore Symphony Orchestra, and The Cleveland Orchestra, and has appeared with the All-Star Orchestra, under the direction of Gerard Schwarz, as part of an award-winning series of programs for PBS.

Finkelshteyn has performed with a number of conductors throughout his career, namely, Daniel Barenboim, Pierre Boulez, Alan Gilbert, Mariss Jansons, Neeme and Paavo Järvi, Louis Langrée, Lorin Maazel, Andrew Manze, Zubin Mehta, Riccardo Muti, Yannick Nézet-Séguin, Gerard Schwarz, Yuri Temirkanov, and Osmo Vänskä.

An avid chamber musician, Finkelshteyn has participated in the Southampton Arts Festival in New York, the Four Seasons Chamber Music Festival at East Carolina University, the Eastern Music Festival Chamber Music Series, and the North Carolina Symphony Chamber Music series. He has collaborated with his brother, cellist Ilya Finkelshteyn, Julia Fischer, Mark Kosover, Adam Neiman, Awadagin Pratt, Julian Schwarz, and Elina Vähälä, among others.

A committed teacher, Finkelshteyn was invited to give master classes at Yale University and in New York City, for students from Manhattan School of Music and the Mannes School of Music, Penn State, Colburn, and UNC School of the Arts, among others. He makes a point of being involved within his community as well, leading sectionals for local youth philharmonic orchestras and the North Carolina All-State Orchestra. In addition, Finkelshteyn works with local music teachers with their double bass students, offering master classes and sectionals.

A native of Leningrad in the former Soviet Union, he joined the Symphony Orchestra of The Leningrad Philharmonic at only 19 years of age, while still a student at the Leningrad Conservatory, from which he earned a master’s degree, graduating with honors. His primary teachers were Peter Weinblatt and Sergei Akopov. Eventually, he became Principal Double Bassist of the Symphony Orchestra and was a prize winner of the Soviet Union Bass Competition before emigrating to the U.S. in 1990.

Finkelshteyn performs on an Italian double bass made in the Mantua region around 1770 and a French double bass made by Charles Jacquot in 1860 in Paris. His bows of choice are by H.R. Pfretzchner, made in Markneukirchen, Germany, as well as a bow made especially for him in 2003 by a famous American bow-maker Susan Lipkins in Woodstock, New York.

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